An update in iOS 15 has made the process of creating the effect even easier, so if you've got your iPhone updated to the latest version, start by opening your image in the gallery app. Once you've captured your Live image, it's time to transform it into the actual long exposure. In iOS 15, the edit feature will be above the image. In iOS 14, swipe up on your Live Photo in the gallery and activate the Long Exposure effect. This way you'll increase your chances of capturing at least one image that's stable enough to produce an attractive long exposure. It's a good idea to take multiple shots too, hammering the shutter button while you hold the position. If you have to hold the phone in your hand, I find that tucking my elbows in toward my body and holding my breath helps decrease motion blur while taking the shot. I suggest resting the phone against a wall or some other fixed surface while shooting. Make sure this icon doesn't have a line through it.Īlthough the iPhone doesn't require a tripod to get a good long-exposure image, you'll get the best results if you keep the phone as steady as possible while it's taking the Live image. If there's a line through it, tap the icon and you'll see the message "Live" appear onscreen in a little yellow box. If there's no line through it, then Live Photos is activated. You'll see an icon of two circles surrounded by a third dotted circle. It's located in the top right of the screen in the camera (when held in portrait orientation) or the top left (in landscape orientation). Getting a long-exposure image requires the movement that's recorded in a Live Photo, so it's critical that that mode is activated when shooting. The long-exposure effect keeps the buildings and roads sharp and fixed in the image, but the people walking all around will be blurred into ghostly figures, which looks atmospheric and dramatic. You can also try busy city streets (remember your social distancing!). But a long exposure (right) transforms it into an ethereal image that really shows off the movement in the scene. The standard shot (left) looks like any old, forgettable snap from a Disney park. Any body of water, really, would be a good subject to experiment with. Waterfalls are common subjects as the rushing water will be blurred while the rocks all around will remain solid. What you need is a scene where there are both static and moving elements. A close-up of a flower blowing in the breeze will just become a blurry mess, while a picture of a static car will remain, well, static. Not everything works as a long-exposure image. Know what makes a good long-exposure shot Take that, DSLRs.Ī standard image taken with the iPhone 11 Pro (left) and the same image, with the long-exposure mode enabled (right). This lets you capture long-exposure images in even bright midday sun without using a tripod or filter. It's also able to recognize what isn't moving (a rock or a wall, for example) and attempts to keep those objects sharp and in focus. By analyzing which objects are moving, the iPhone captures the movement and blurs it. The iPhone uses Live Photos, a feature that turns a still image into a short animation by recording a few seconds of video when you fire the shutter. Read more: Phone Photography 101: Take Amazing Photos With Any Phone It works on any iPhone launched after the iPhone 6. You don't need the iPhone 13 Pro or 2022 iPhone SE to take advantage of this feature. But a neat feature built right into the iPhone's camera lets you take shots that look just as good. It's a great technique to give the impression of motion in a still image and it used to be something you'd need a DSLR with filters and tripods to take. If you've looked at arty pictures of waterfalls or rivers then you'll no doubt have seen those creative long-exposure shots where the water is intentionally blurred but the surroundings - the rocks, trees etc - remain pin-sharp.
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